Scorrete lagrime mie

The music of seventeenth-century Italian composers like Barbara Strozzi, Francesca Caccini or Sigismondo d'India encourages and requires an extreme level of subltety and variation in sound colours, articulations and shading. As such, it constitutes a perfect conduit to explore the vocal virtuosity of the baroque trombone, an instrument that historically has perhaps more than any other been associated with the human voice.

Trombonist Maximilien Brisson (Germany) with harpsichordist Christophe Gauthier and organist Luc Beauséjour (Montreal) play laments of the early baroque, illuminating the connection between vocal and instrumental music of the period. With guest soprano Hannah Pagenkopf.

$40 (general admission) / $20 (students - at the door)

Presented by: Early Music Voices

Genres: Chamber Ensembles, Choral, Keyboard, Solo, Strings, Voice, Woodwinds